Innovation & Strangeness; or, Dialogue and Monologue in the 1798 actors path Innovation and Strangeness; or, Dialogue and Monologue in the 1798 tuneful Ballads Commemorating the bicentennial of the 1798 Lyrical Ballads implies something active the volumes innovations as fountainhead as its continuity. It is no longer possible to believe that Romanticism started subject (as I at least was taught in school). Even if we cannot bind 1798 as a hinge in literary history, though, at that place is something appealing about celebrating the volumes attitude to newness, as tumefy as the less contentious fact of its enduring grandeur to readers of Romantic-period poetry.
What sensation risks, of course, is the currently ubiquitous accusation that one is restate the self-representations of an unsuitably authoritative version of Romanticism, as my school-teacher certainly was (though none of us knew it at the time). There is indeed something innately Wordsworthian about the bicentennial, with its celebration of ...If you want to get a total essay, launch it on our website:
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