James Joyces Araby - Auditory Imagery in Araby :: Joyce Dubliners Araby Essays

Auditory Imagery in Araby I noticed a lot of auditory resource in Araby that helped to enhance the meaning of the story. The first is the description of the sound in the streets when the young man is walking by thinking of the girl he loves. He hears the curses of laborers, the shrill litanies of shop male childs, and nasal chantings of street singers. All of these images, besides just making the street seem busy, also make it seem like an dour and intruding scene, almost like you would want to cover your ears and hurry through as fast as possible. This compliments perfectly the male childs imagination that he is carrying his chalice safely through a throng of foes. In the scene where the boy is in the priests house late at night, the auditory imagery helps contribute to the intelligence of drama. There was no sound in the house, but outside boy heard the rain impinge upon the earth with fine incessant needles of water. The choice of linguistic process here makes the rain seem almost as if it is hostile. You can hear the force and fury of the storm, and this makes the emotions the boy is feeling seem even more intense. Later, when the boy is looking out the window of the top story of his house, he looks down and sees his friends playing in the street, and their cries reach him weakened and indistinct. This image brings about an impression that the boy now feels removed from his friends and their games, because he is caught up in his fantasy. Normally, he would probably be down there playing with them, but now his head is change with much more pressing thoughts, and they drown out the laughter and fun of his friends and their childish games. Finally, when the boy enters the bazaar, he recognizes a silence like that which pervades a church after a church service.